Ecstasy and Enstasy

One can no longer deny the fact that, in the psychic domain, nothing dies and that the whole past lives present in the diverse layers of the depths of consciousness – the ‘unconscious’ or subconsciousness – of the soul….

…For this reason nothing perishes and nothing is lost in the domain of the psyche; essential history, ie real joy and suffering, real religions and revelations of the past, continue to live in us, and it is in we ourselves that the key to the essential history of mankind is to be found.

It is in we ourselves that there is to be found the ‘Edenic’ layer, or that of paradise and the Fall,  of which an account is to be found in the book of Genesis of Moses. Do you doubt the essential truth of this account? Descend into the depths of your own soul, descend as far as the roots, to the sources of feeling, will and intelligence – and you will know.

You will know, ie, you will have certainty that the Biblical narrative is true in the most profound and authentic sense of the word – in the sense that you must deny yourself, deny the witness of the inner structure of your own soul, in order to be able to doubt the intrinsic truth of Moses’ account.

The descent into the depths of your own soul in meditating upon the account of paradise in Genesis will render you incapable of doubt. Such is the nature of the certainty that one can have here….

….It expresses in symbolic language the first layer (first in the sense of the root of all that is human in human nature) of human psychic life, or its ‘beginning’. Now, knowledge of the beginning, initium in Latin, is the essence of initiation.

Initiation is the conscious experience of the initial microcosmic state (this is the Hermetic initiation), and of the initial macrocosmic state (this is the Pythagorean initiation). The first is a conscious descent into the depths of the human being, to the initial layer. Its method is enstasy, ie, experience of the depths at the foundation within oneself.

Here one becomes more and more profound until one awaens within oneself the primordial layer – or the image and likeness of God – which is the aim of enstasy. It is above all by means of the sense of spiritual touch that enstasy is effected. one can compare it to a chemical experiment undergone on the psychic and spiritual plane.

The second initiation experience – that we have designated ‘Pythagorean’ from a historial point of view – is based above all on the auditory sense or sense of spiritual hearing. It is essentially musical, just as the first is substantial or alchemical. It is by ecstasy – or rapture, or going out of oneself – that the macrocosmic layers (‘spheres’ or ‘heavens’) reveal themselves to consciousness.

Meditations on the Tarot, Unknown Author, Letter VI, The Lover

 

Lazurus, come forth!

The resurrection within Christianity of the Hindu and Buddhist spiritual life, to which the church owes the arising of the whole monastic movement and the founding of religious orders in late antiquity, is not the last event of its kind in church history.

Others followed according to the law that all truth and love of the past that have timeless values are called back out of the realms of forgetting, sleep and death into the daylight of Christian spiritual life through the call that from age to age reminds, rouses and awakens.

Through this call sounding forth from Him who is the Resurrection and the Life, saying ‘Lazarus, come forth!’ – the most noble and valuable aspects of pagan antiquity were also resurrected.

The Platonic and Aristotelian treasury of thought arose radiant in transfigured form and inspired great spirits of the church to take up the philosophia perennis, in which lay the task of lifting up the chalice of pure human thinking and sacrificial offering to divine revelation.

For this was the essential aim of the scholastics: the raising up of the chalice of crystal clear human thinking upon the altar of Godhead – the Godhead manifesting in divine revelation.

Lazurus, come forth!, Valentin Tomberg

Mystery of the Spear

The mystery of the spear wound points us towards spiritualisation of the physical body. The special, pure elixir that flows from the side of the Lord is certainly an esoteric reference to an esoteric process of development that occurred – for the first time, yet symptomatically for all human beings – here on earth within the space of a few hours.

(We need to counter the idea that spiritual processes and the higher developments they bring about unfold exclusively beyond the threshold, and never impinge on the sensory world. It is an erroneous gnostic mode of thought that regards the Christ sacrifice, His transformation and resurrection, as a process solely of spirit and soul. This would be a denial of Paul’s teaching.

What use is spiritual development if it has no reforming effect on the lower bodies? And these lower bodies – particularly the lowest, the physical body – belong to the earthly world and can only be worked upon during incarnation. All development in the spirit aims to enliven the mortal human being.

All higher spiritual development at the same time works and impinges on matter. Serious spiritual work always leads to deed and action in the physical world. The appearance of a divine being in the material world embodied this to the very highest degree).

The spear-wound mystery is one of transformation, of etherisation; and it takes place before the eyes of those present at the time. One of these witnesses became a source of truth for us, leaving his testimony in the form of the Gospel of St John.

If this Gospel by the disciple whom the Lord loved is read in the right way it reveals to us deep truths about the Mystery of Golgotha.

Judith von Halle, Secrets of the Stations of the Cross and the Grail Blood

Stars are the expression of Love

The farthest reaches of the etheric world lead out of and beyond space, into the spheres where the Gods have their abode.

And now picture to yourselves a certain inner relationship which may exist between one person and another and comes to physical expression. Picture it quite graphically.

You are caressed by someone who loves you. You feel the caress but it would be childish to associate it in any way with physical matter. The caress is not matter at all, it is a process, and you experience it inwardly, in your soul.

So it is when we look outwards into the spheres of the Ether. The Gods in their love caress the world. But the caress lasts long, because the life of the Gods spans immense reaches of time.

In very truth the stars are the expression of love in the Cosmic Ether; there is nothing physical about them. And from the cosmic aspect, to see a star means to feel a caress that has been prompted by love. To gaze at the stars is to become aware of the love proceeding from the divine-spiritual Beings.

What we must learn to realise is that the stars are only the signs and tokens of the presence of God in the universe. Physical science has much to learn on its path from illusion to truth!

Rudolf Steiner, Karmic Relationships, Vol VII

Magic Tower of Air

Merlin appears in the shape of a young squire; Nimue in the form of a little maid ‘but twelve years old’. This number is, in this context, more mystical than chronological in intent.

Together they perform an enchantment that is an evocation of the ideal society of humankind and a reconstruction of the Earthly Paradise or Garden of Eden.

For behold! Out of the forest comes a carole of ladies and knights and maidens and squires, “each holding other by the hands and dancing and singing: and made the greatest joy that ever was seen in any land”…And presently, in the midst of the wild wood, appears an orchard, wherein was all manner of fruits and all manner of flowers, that gave so great a sweetness of flavour that marvel it was to tell. (Vida Scudder, Le Morte d’Arthur of Sir Thomas Malory).

This is no mere infatuation of a magician for a fairy maid. It is a great and pre-ordained work of redemptive magic. Similarly Merlins’ disappearance from the Earth into the world behind outer nature is no falling under a false enchantment but a deliberate sacrificial sacramental act. As Vida Scudder puts it, although she does not appear consciously to realise the deeper implications:

….when she spoke to him of her longing to know how to create the magic tower of air, he bowed down to the earth and began to sigh. None the less he did her will, and on a fateful day they went out through the forest of Broceliande hand in hand, devising and disporting; and found a bush that was fair and high and of white hawthorn full of flowers, and there they sat in the shadow.

And Merlin laid his head on the damsel’s lap, and she began to caress gently till he fell on sleep, and when she felt that he was in sleep she arose softly, and made a circle of her wimple all about the bush, and all about Merlin. And when he waked he looked about him, ‘and him seemed he was in the fairest tower on the world and the most strong; and he said to the damsel; “Lady thou hast me deceived, but if ye will, abide with me, for none but ye may undo these enchantment” And in truth she stayed by him for the most part, “Ye have been my thought and my desire” says she, “for without you have I neither joy nor wealth. In you have I set all my hope, and I abide, none other joy but of you”.

Her impulse is thus love and not self-will. And, whether ‘deceived’ or not, Merlin was well aware, before and after the fact, of the implications of this profound magical union.

Gareth Knight, The Secret Tradition in Arthurian Legend

The glow of your light

Your holy spirit
illuminates the dark places of the heart
of your servant,
with light like the sun.
I look to the covenants made by men,
worthless.
Only your truth shines,
and those who love it are wise
and walk in the glow
of your light.
From darkness you raise hearts.
Let light shine on your servant.
Your light is everlasting.

Thanksgiving Psalm 23, The Dead Sea Scrolls

There can be only one

He looked over his shoulder at the gigantic sphere, which turned through the fragile cosmos with an intricately complex, haunting melody. The light danced like fireflies in his eyes as the diamond of her soul was melted into quicksilver.

One shaft of light that showed the way

She gave up a prayer with feeling, hands raised up in her outspread hair.

This flame that burns inside of me is here in secret harmonies

She had had dreams and he could see every colour of every scene.

One dream, one soul, one prize, one goal

With a silent whisper he reminded her of the truth:

No mortal man can win this day.

He drew the flickering image into the endless space between them and exhaled into her parted lips.

There can be only one….

*

Bring glorious, ardent, lovely, fam’d desire, and warm my bosom with your sacred fire

Writing on the Walls

I saw no more through that window and moved through the door into my room. It was then that I saw the writing on the walls. I had never before been given cause to think about the writing on the walls until this time.

The room was its usual shape with all the regular features firmly in place, including my own empty body on the bed, wearing a light blue sweatshirt.  I saw my body just out of the corner of my eye and did not study it too closely lest I became frightened by the sight of myself. In any case, the bedroom walls presented me with something far more fascinating than my sleeping self ever could.

I might have been anywhere at any time as I watched the multi-coloured words began to form and multiply, so rapidly that in an instant it seemed that every surface was covered. I discerned again the rainbow, literally because of the myriad colours displayed in the writing. The subject was again one of love and love’s longing for paradise. The only word, in fact, was Love, repeated over and again on every plane.

LOVE, LOVE, LOVE, LOVE, LOVE, LOVE, LOVE, LOVE, LOVE, LOVE, LOVE, LOVE

All of history contains tragedy in proportion to joy. I was overwhelmed and found myself lying on the bed in the position I had left my body in. I turned my head to look at the mirror hanging over the radiator, which had somehow transformed itself into a window, through which I could see into another window in another house.

I was fully aware that this change in my usual surroundings had taken place and, whilst unafraid, I was perplexed. I saw two middle-aged women who appeared to be washing clothes, both wearing dark dresses and with dark hair tied up into top-knots, like widows. They were looking in through my window at the place where I lay, talking about somebody who seemed to be me but was actually this man.

They spoke of this man who lay (or had lain) on the bed in the room, and discussed his sadness to themselves as if he were dead. I realised that my astral projection, vision, dream, whatever it might have been, was losing coherence, and I regained ordinary consciousness a second later.

 

Tokens of unchanging truth

Rich in blossoms many tinted, grateful to the ravished eye,
 Gay and green and glorious Kanka was like garden of the sky,

Rich in fruit and laden creeper and in beauteous bush and trep.
 Flower-bespangled golden Lanka was like gem-bespangled sea!

Rose a palace in the woodlands girt by pillars strong and high.
 Snowy-white like fair Kailasa cleaving through the azure sky,

And its steps were ocean coral and its pavement yellow gold .
White and gay and heaven-aspiring rose the structure high and bold!

By the rich and royal mansion Hanuman his eyes did rest,
 On a woman sad and sorrowing in her sylvan garments drest,

Like the moon obscured and clouded, dim with shadows deep and dark,
 Like the smoke-enshrouded red fire, dying with a feeble spark,

Like the tempest-pelted lotus by the wind and torrent shaken,
 Like the beauteous star Rohini by a graha overtaken!

Fasts and vigils paled her beauty, tears bedimmed her tender grace,
 Anguish dwelt within her bosom, sorrow darkened on her face,

And she lived by Rakshas guarded, as a faint and timid deer,
 Severed from her herd and kindred when the prowling wolves are near,

And her raven locks ungathered hung behind in single braid,
 And her gentle eye was lightless, and her brow was hid in shade!

“This is she! the peerless princess, Rama’s consort loved and lost,
 This is she! the saintly Sita, by a cruel fortune crost,”

Hanuman thus thought and pondered: “On her graceful form I spy,
 Gems and gold by sorrowing Rama oft depicted with it sigh,

On her ears the golden pendants and the tiger’s sharpened tooth,
 On her arms the jewelled bracelets, tokens of unchanging truth,

On her pallid brow and bosom still the radiant jewels shine,
 Rama with a sweet affection did in early days entwine!

Hermit’s garments clothe her person, braided is her raven hair,
 Matted bark of trees of forest drape her neck and bosom fair,

And a dower of dazzling beauty still bedecks her peerless face.
 Though the shadowing tinge of sorrow darkens all her earlier grace!

This is she! the soft-eyed Sita, wept with unavailing tear,
 This is she! the faithful consort, unto Rama ever dear,

Unforgetting and unchanging, truthful still in deed and word,
 Sita, in her silent suffering sorrows for her absent lord,

Still for Rama lost but cherished, Sita heaves the choking sigh,
 Sita lives for righteous Rama, for her Rama she would die!”

Secret Silver Soul

Air, Ancient, Apollo
Beauty, Cosmic, Dawn
Divine, Earth, Fire
God, Gold, Heart
Heaven, History, Human
Joy, King, Knowledge
Life, Light, Love
Magic, Meditations, Mind
Moon, Mystery, Nature
Orion, Power, Reason
Secret, Silver, Soul
Spirit, Star, Sun
Time, Truth, Vision
Water, Wisdom, World
Alchemical Weddings