Water in Hidden Springs

The lovers of Brahman ask:

What is the source of this universe? What is Brahman? From where do we come? By what power do we live? Where do we find rest? Who rules over our joys and sorrows, O seers of Brahman?

Shall we think of time, or of the own nature of things, or of a law of necessity, or of chance, or of the elements, or of the power of creation of woman or man? Not a union of these, for above them is a soul who thinks. But our soul is under the power of pleasure and pain!

They also saw the river of life impetuously rushing with the five streams of sense-feelings which come from five sources, the five elements. Its waves are moved by five breathing winds, and its origin is a fivefold fountain of consciousness. This river has five whirlpools, and the violent waves of five sorrows. It has five stages of pain and five dangerous windings and turnings.

In this vast Wheel of creation wherein all things live and die, wanders round the human soul like a swan in a restless flying, and she thinks that God is afar. But when the love of God comes down upon her, then she finds her own immortal life.

God is found in the soul when sought with truth and self-sacrifice, as fire is found in wood, water in hidden springs, cream in milk, and the oil in the oil-fruit.

Where the fire of the Spirit burns, where the wind of the Spirit blows, where the Soma-wine of the Spirit overflows, there a new soul is born.

Svetasvatara Upanishad

The Occult Trials

If one goes through this trial by water – if one develops self-control – then one’s soul enters into a region of destiny where one not only has no ground beneath one’s feet and must find one’s own direction by a kind of ‘swimming’; the soul also enters here into a space devoid of air. One enters into an utter loneliness and wilderness of soul life.

The impulses of thinking, willing and feeling cease. One’s soul is like a sailing ship standing with sagging sails in windless weather. It enters into a condition in which all experiences cease. There is no basis upon which to sense, to feel, or to will. The soul is in complete loneliness.

Now the soul must find the presence of the spirit out of its own power. Without surrendering to passivity, it must find the strength for an impulse-to-action within itself. The soul’s awakening at the moment of falling asleep – awakening itself through the strength of its own inner being, through the power of the I itself, without any motive for staying awake – is the presence of the spirit (presence of mind).

The soul is spiritually present when it is silent. The power of the soul to keep itself awake at the moment of falling asleep is this presence of spirit. It makes intuition possible, and is necessary for intuitional knowledge.

These first three trials – these first three experiences – represent the human ascent into the spiritual world.

Valentin Tomberg, Inner Development, The Occult Trials

A string in the harp of enchantment

I was in many a guise,
before I was disenchanted.
/ am a grey-cowled minstrel
I believe in illusion.
I was for a time in the sky
I was observing the stars.
I was a message in writing
I was a book to my priest.
I was the light of the altar-horns,
for a year and a half
I was a bridge, which is stationed
over three score water-meets.
I went traveling
I was an eagle
I was a coracle on the seas.
I was the attraction in good.
I was a drop in a shower.
I was a sword in the hand-grip
I was a shield in battle.
I was a string in the harp of
enchantment for nine years.
In water I was the spume.
I was a sponge in the fire.
I was scrub in the covert.
I am not one who does not sing
I sang, though I was little,
at the battle of the Scrub-shoots,
against Britain’s Ruler
and the Irish ships, is
a rich-laden fleet.

Taliesin, The Battle of the Scrub

The Day of Light; Ages of the World

As has been already explained, he geographical situation of the former Terrestrial Paradise was variously given. The Babylonians placed it in the Delta of the Euphrates; the Greeks in Crete; the pre-Exilic Hebrews at Hebron in Southern Judaea.

It is of the highest theological importance that Jehovah announced himself to Moses as ‘I am that I am’ or (more literally) ‘I am whoever I choose to be’ from the acacia rather than from any other tree; because this constituted a definition of his godhead.

Had he announced himself from the terebinth, as the earlier Jehovah had done at Hebron, this would have been to reveal himself as Bel, or Marduk, the god of Thursday and of the seventh month, the Aramaean Jupiter, the Paeonian Apollo. But from the acacia, the tree of the first day of the week, he revealed himself as the God of the Menorah, the transcendental Celestial God, the God who presently said:

‘Thou shalt have none other Gods but me….for I the Lord they God am a jealous God.’

The acacia is, indeed, a thorny, jealous, self-sufficient tree, needs very little water and, like Odin’s ash, strangles with its roots all other trees growing near i. Uath, the month dedicated to the acacia, was the one in which the annual Hebron Fair took place, and so holy that all sexual congress and self-beautification was tabooed during it: it was the month of the annual purification of the temples in Greece, Italy and the Near East.

The not yet completed Ages of the World, quoted from Nennius by Gwion, are based on the same planetary cannon:

‘The first Age of the World is from Adam to Noah’. Adam’s was the first human eye to see the light of the sun, or the Glory of God. Sunday is the day of light.’

Robert Graves, The White Goddess

The Cosmic Sabbath

Genesis gives an account of the history of the world’s gradual attainment of independence and inwardness, which culminates in the birth of freedom; and, further, it portrays the misuse of freedom and the consequences thereof.

In fact, what is the essence of the account of the creation according to Genesis? It is essentially nothing other than a description as to how the world in the first instance received its own existence alongside God, then its own movement (‘water’), then its own life (‘plants’), then its own soul life (‘animals’) and lastly – in man, as the ‘image and likeness of God’ – its own self consciousness, ie, freedom.

And what is the seventh day of creation – the cosmic sabbath, God’s day of rest? Is it not the level of freedom attained where God ‘rests’ from his deeds, ie, where he manifests his freedom attained where God ‘rests’ from his deeds, ie, where he manifests his freedom in relation to the world, while the world, the beings of the world, experience themselves as being left to their own freedom, ie, to experience their freedom?

The seventh day of creation is the day of freedom. The blessing of the seventh day is the divine act of creating the highest value of existence, the foundation of all morality: freedom. Here created being attains the highest level of inwardness: freedom. The seventh day of creation is the ‘day’ of the meaning of the world. Here the created world becomes something moral; here the world enters into a free relationship with God and God enters into a free relationship with the world.

However, since it is only in love that freedom is perfect, one may therefore also say that the seventh day is the day of the founding and sealing of the relationship of love between the creator and all created beings. Thus love is the foundation , the meaning, and the purpose of the world.

Valentin Tomberg, The Seven Miracles of John’s Gospel

Karma

“….I will skillfully devise an instrument, mysterious, possessed of power of sight that cannot err, and cannot be escaped, whereto all things on earth shall of necessity be subject, from birth to final dissolution,–an instrument which binds together all that’s done. This instrument shall rule all other things on earth as well–as man.”

When this was done, and when the souls had entered in the bodies, and–Hermes–had himself been praised for what was done, again the Monarch did convoke the gods in session…

“Let each of us bring forth according to his power. Let us by our own energy wipe out this inert state of things; let chaos seem to be a myth incredible to future days. Set hand to mighty work; and I myself will first begin.”

He spake; straightway in cosmic order there began the differentiation of the up-to-then black unity of things. And heaven shone forth above tricked out with all his mysteries; earth, stilla-tremble, as the sun shone forth grew harder, and appeared with all the fair adornment that bedeck her round on every side. …

“Take–these–, O holy Earth, take those, all honoured one, who are to be the mother of all things, and henceforth lack thou naught!”

The evil now being very great, the elements approached to God who made them, and formulated their complaint in some such words as these: It was moreover fire who first received authority to speak….”Let them be taught to render thanks for benefits received, that I, the fire, may joyfully do service in the sacrificial rites, that they may from the altar send sweet-smelling vapours forth….”

And the air too said: “I also, Master, I am made turbid by the vapours which the bodies of the dead exhale, and I am pestilential, and, no longer filled with health, I gaze down on things I ought not to behold….”

Next water, O my son of mighty soul, received authority to speak, and spake and said: “O Father, O wonderful creator of all things, daimon self-born, and Nature’s maker, who through Thee doth conceive all things, now at this last, command the rivers’ streams for ever to be pure….”

After came earth in bitter grief, and taking up the tale, O son of high renown, thus she began to speak: “The godless rout of men doth dance upon my bosom. I hold in my embrace as well as the nature of all things; for I, as Thou didst give command, not only bear them all, but I receive them also when they’re killed….Bestow on earth, if not Thyself, for I could not contain Thee, yet some holy emanation of Thyself. Make Thou the earth more honoured than the rest of elements; for it is right that she should boast of gifts from Thee, in that she giveth all.”

Kore Kosmou

The immortals never forget their loves

I have been tossed between moon and sun and stars and visions of water, wind, hills and forests. They come to me as ancient intimates. I had known them millions of years ago. They were once within me. We parted from ourselves I know not how or why.

We have played hide-and-seek with each other through the aeons. And now they come near. The spirit in them is as near to me as the beatings of my own heart. Now we meet again it is like the meeting of lovers who had parted but yesterday. The immortals never forget their loves through all inbreathings and outbreathings of the universe.

A.E. The Avatars

The temple of our soul

We pull an unwinding thread into the centre and destroy all monsters.

By the silver cobweb we retrace our steps, slowly through the darkness without shadow.

The sun rises, water evaporates to mist and there a rainbow frames a hidden gateway to the flaming portal.

Paths unfold before our feet, across the bridge of twilight.

Space and time dissolve.

All is transfixed in perpetual motion, beyond the borders of our mind.

Only eternity, silent and golden, is present within us, suspended at the moment of return.

Then we are shown that our lives emerged from a vow to save love,

To rectify and redeem the moment it was lost,

That movement springs from the unquenchable longing for reunion,

An unbreakable promise to never relinquish the quest, seeking always the One

Inside, where almost all there is can be revealed, when everything else can be held in the vision of our selves, as in a dream

And the temple of our soul becomes the body in our hands.

Crystal tears gave light

And as the bright sun glorifies the sky,

So is her face illumin’d with her eye:

Whose beams upon his hairless face are fix’d,

As if from thence they borrow’d all their shine.

Were never four such lamps together mix’d,

Had not his clouded with his brows’ repine;

But hers, which thro’ the crystal tears gave light,

Shone like the moon in water seen by night.

‘O, where am I?’ quoth she, ‘in earth or heaven,

Or in the ocean drench’d, or in the fire?

What hour is this? or morn, or weary even?

Do I delight to die, or life desire?

But now I liv’d, and life was death’s annoy;

But now I died, and death was lively joy.’

Venus and Adonis, William Shakespeare

Adonis

The worship of Adonis was practised by the Semitic peoples of Babylonia and Syria, and the Greeks borrowed it from them as early as the seventh century before Christ.

The true name of the deity was Tammuz: the appellation of Adonis is merely the Semitic Adon, ‘lord’, a title of honour by which his worshippers addressed him. But the Greeks through a misunderstanding converted the title of honour into a proper name.

In the religious literature of Babylonia Tammuz appears as the youthful spouse or lover of Ishtar, the great mother goddess, the embodiment of the reproductive energies of nature. The references to their connection with each other in myth and ritual are both fragmentary and obscure, but we gather from them that every year Tammuz was believed to die, passing away from the cheerful earth to the gloomy subterranean world, and that every year his divine mistress journeyed in quest of him

“to the land from which there is no returning, the house of darkness, where dust lies on door and bolt.”

During her absence the passion of love ceased to operate: men and beasts alike forgot to reproduce their kinds: all life was threatened with extinction. So intimately bound up with the goddess were the sexual functions of the whole animal kingdom that without her presence they could not be discharged.

A messenger of the great god Eas was accordingly dispatched to rescue the goddess on whom so much depended. The stern queen of the infernal regions, Allatu or Eresh-Kigal by name, reluctantly allowed Isthar to be sprinkled with the Water of Life and to depart, in company probably with her lover Tammuz, that the two might return together to the upper world, and that with their return all nature might revive.