The Uses of Enchantment

Each fairy tale is a magic mirror which reflects some aspects of our inner world, and one of the steps required by our evolution from immaturity to maturity.

For those who immerse themselves in what the fairy tale has to communicate, it becomes a deep, quiet pool which at first seems to reflect only our own image; but behind it we soon discover the inner turmoils of our soul – its depth, and ways to gain peace within ourselves and with the world, which is the reward of our struggles.”

Bruno Bettelheim, The Uses of Enchantment

Lake of Memory

“To the left of the house of Hades under a graceful white cypress a well offers spring water. Don’t drink there. Find the well by the lake of memory. Guardians protect the cold water. Tell them:….”

The Hymns of Orpheus

Bride of Adonis

Put now your ear to the seashell of memory,
Walk through the glistening rainbow of promise,
Sun on the ocean makes ripples of magic,
Star of the sea and pure bride of Adonis.

Then will the sea-priestess, white in the starlight,
Raise up her arms at the moon gliding by,
Sing the enchantment that harnessed the ocean,
Dance in the circles that meted out night.

Sea nymphs are whispering ‘Shayla remember…
Mesmerised mermaids and undines glide
Deep in the moonlight of hypnotised sailors;
Drawn by the current that governs all tides.

Whispering ‘Shayla, return to your kingdom,
Sister and daughter, rejoice with your kind…’
Shimmering crystal, the doors of the palace
lay on the seabed, beguiling still waters.

She who sells sea shells upon the sea shore,
Walked through the turquoise and paused at the entrance
Looked through the shimmering aqua at kinsmen,
Heard that the voices were soft but relentless.

Soft as the breeze on the salt of the ocean,
Gentle as rustles the wind through the trees,
Whispering over and over her secret,
Meaning; she hailed from the palace of dreams

Stopped at the threshold the fairytale maiden,
Thought of a promise once made in the spring,
Called to remembrance the angel who loved her,
Said: I relinquish the realm of the sea.

Go, little mermaid, they turned away weeping,
As she, the self, was set free and made mortal.
As you lie dreaming of rainbows in summer,
Seeking the memory, then think of this portal.

Sister, oh sister, how sorry we are now
So went the whispers, the shadows of light.
From the unconsciousness reason found mercy;
Words without doubt put magicians to flight.

Three that give birth from the fiery water
Seven the spheres and reflective of heaven,
Twelve that encircle and bring to completion,
Doubles in number of holy eleven.

Queen of the silver beam, king of all, golden,
Red the blood flowing through milky-white rivers
Bring generation to life in your nature,
Die by the heat but in hope be uprisen.

Light came aurora and pinker than sapphire,
Orange as anything orange is yellow,
Redder than berries of green in the meadow,
Bluer than dawn is, an indigo fire.

Promises, promises, rainbows and birdsong,
Speak of the vow that just cannot be broken
Time has no meaning and space is illusion,
Born is Creation, by God’s word is spoken.

Airs of a beautiful kind

I lifted up skyward the crown of the faeries,
Tarnished by oceans of sea-crossing time.
Forged in the fire of golden-days dawning,
Lit with a halo of stars in the night.

Who now shall wear it? I wondered in silence
Una is resting with Duessa at play.
Gwenevere wanders in halls of forgetting,
Deep in the summer of dreaming this day.

On her feet sandals of gold, steps the princess,
Floating on air through the green garden grass,
Walking alone by the castle of ether,
Seen but unseen by the world through a glass.

The seal of the nether-world opened up freely;
Through the dark tunnel with reason behind,
Following meekly the one with a mission;
Perfect in will and a reader of signs.

Once past the stream of the guardian lizards,
On through the gate to the bright other place,
Land of reflection and fathomless knowledge,
Home elemental of alchemic race.

Where do we go? I looked left and then eastward,
Somehow forboding the place that I saw.
Life’s university, building of sandstone
Burnished and gleaming, a prison by law.

Silent, but knowing, did reason stand sweetly
Holder of mysteries, the teacher and guide.
Younger and wiser and older all-seeing,
Dressed up in white and demure by my side.

Then came a voice – and as if out of nowhere –
Do you need help, you seem lost in this realm?
There stood a faerie, bewitchingly golden
Silken and spun was her hair from the sun

Stepped forth the reason – seduced by her magic –
Stretched out a hand to her beautiful hair.
Won’t you come with me? The faerie enticed us,
Stop by the hearth of the potter this day...

Brooding I pondered, could faeries be trusted?
Should I be swayed from the pathway assigned?
Yet I had watched how my reason surrendered
So before airs of a beautiful kind….

Loathe to offend such a glorious being,
One who had offered with kindness and grace,
Help just when needed. I bowed to the faerie;
Take now your highness my reason away.

Then the wind changed as a wandering mistral,
Warm as the breeze on a meadow of wheat,
Swift, warm and golden the faerie-bird air-borne
Flew o’er myself that fell under her wing.

Passed by all time as I sailed down the sleep-stream,
Far to the land where the doe and stag graze.
Home to the garden that blooms East of Eden,
Land of the ancestors covered in praise.

Opened my eyes as I reached the cool garden
Wonder-filled, wide, as memories unfolded.
Looked up the stag and the doe from their incline,
Wakened my self from the river of time.

Safe in the knowledge of paradise tended,
Turned I my thought to the reason once lost.
So in a blink of my eye I went searching,
Straight to the hearth of the faerie-bird’s host.

Remembrance of God

And in the first states of trust, four miracles befall you. These are the signs and evidence of your attainment of the first degree of trust.

These signs are crossing the earth, walking on water, traversing the air, and being fed by the universe. And that is the reality within the door.

After that, stations and states and miracles and revelations come to you continuously until death.

*

And if you do not stop with this, He reveals to you the surface signs, you will be admonished with terrors and many sorts of states will befall you. You will see clearly the apparatus of transformations; how the dense becomes subtle and the subtle dense.

And if you do not stop with this the light of the scattering of sparks will become visible to you, and there will be a need to veil yourself from it. Do not be afraid, and persevere in the remembrance of God, for if you persevere in the remembrance of God, disaster will not overcome.

Ibn ‘Arabi, The Journey to the Lord of Power

Landscape of Love

Again and again, however we know the landscape of love
and the little churchyard there, with its sorrowing names,
and the frighteningly silent abyss into which the others
fall: again and again the two of us walk out together
under the ancient trees, lie down again and again
among the flowers, face to face with the sky.

Again And Again, However We Know The Landscape Of Love, Rainer Maria Rilke

The Lordly Ones

How beautiful they are,

The lordly ones

Who dwell in the hills,

In the hollow hills.

They have faces like flowers

And their breath is wind

That blows over grass

Filled with dewy clover.

Their limbs are more white

Than shafts of moonshine:

They are more fleet

Than the March wind.

They laugh and are glad

And are terrible:

When their lances shake

Every green reed quivers.

How beautiful they are

How beautiful

They lordly ones

In the hollow hills.

Etain, The Immortal Hour, Fiona Macleod (William Sharp)

Taman Shud

Indeed the Idols I have loved so long

Have done my credit in Men’s Eye much wrong:

Have drown’d my honour in a shallow cup

And sold my reputation for a song.

Indeed, indeed, repentence oft before

I swore – but was I sober when I swore?

And then and then came spring, and rose in hand

My threadbare penitence a pieces tore.

And much as wine has play’d the Infidel,

And robb’d me of my Robe of Honour – well,

I often wonder what the Vintners buy

One half so precious as the goods they sell.

Alas, that spring should vanish with the rose!

That youth’s sweet-scented manuscript should close!

The nightingale that in the branches sang,

Ah, whence, and whither flown again, who knows!

Would but the desert of the fountain yield

One glimpse – if dimly, yet indeed, reveal’d,

To which the fainting traveller might spring,

As springs the trampled herbage of the field!

Would but some winged Angel ere too late

Arrest the yet unfolded roll of fate,

And make the stern recorder otherwise

Enregister, or quite obliterate.

Ah love!  could thou and I with fate conspire

To grasp this sorry scheme of things entire,

Would we not shatter it to bits – and then

Re-mould it closer to the Heart’s desire!

Ah, Moon of my delight who know’st no wane,

The Moon of Heav’n is rising once again:

How oft hereafter rising shall she look

Through this same garden after me – in vain!

And when thyself with shining foot shall pass

Among the guests Star-scatter’d on the grass,

And in thy joyous errand reach the spot

Where I made one turn down an empty glass!

Taman Shud (it is completed)

The Rubaiyat of Omar Khayyam

Lion’s heart beneath the wing

And go alone I could, and plead your cause
Alone for all: but, by the eternal laws,
Yourselves by Toil and Travel of your own
Must for your old Delinquency atone.
Were you indeed not blinded by the Curse
Of Self-exile, that still grows worse and worse,
Yourselves would know that, thoughyou see him not,
He is with you this Moment, on this Spot,
Your Lord through all Forgetfulness and Crime,
Here, There, and Everywhere, and through all Time.
But as a Father, whom some wayward Child
By sinful Self-will has unreconciled,
Waits till the sullen Reprobate at cost
Of long Repentance should regain the Lost;
Therefore, yourselves to see as you are seen,
Yourselves must bridge the Gulf you made between
By such a Search and Travel to be gone
Up to the mighty mountain Kaf, whereon
Hinges the World, and round about whose Knees
Into one Ocean mingle the Sev’n Seas;
In whose impenetrable Forest-folds
Of Light and Dark “Symurgh” his Presence holds;
Not to be reach’d, if to be reach’d at all
But by a Road the stoutest might apal;
Of Travel not of Days or Months, but Years—
Life-long perhaps: of Dangers, Doubts, and Fears
As yet unheard of: Sweat of Blood and Brain
Interminable—often all in vain—
And, if successful, no Return again:
A Road whose very Preparation scared
The Traveller who yet must be prepared
Who then this Travel to Result would bring
Needs both a Lion’s Heart beneath the Wing,
And even more, a Spirit purified
Of Worldly Passion, Malice, Lust, and Pride:
Yea, ev’n of Worldly Wisdom, which grows dim
And dark, the nearer it approachesHi m,
Who to the Spirit’s Eye alone reveal’d,
By sacrifice of Wisdom’s self unseal’d;
Without which none who reach the Place could bear
To look upon the Glory dwelling there.

Bird Parliament, Farid ud-Din Attar

The Uncanny

Late in life, Jung’s work with the experimental physicist Wolfgang Pauli encouraged him to take a few steps beyond the pale.

Jung and Paul came to believe that, in addition to the purely physical mechanism of atom knocking against atom, there is another network of connections that binds together events not physically connected – non-physical, causal connections brought about by mind.

Jung’s contemporary, the French anthropologist Henri Corbin, was researching the spiritual practices of the Sufis at this time. Corbin came to the conclusion that the Sufi adepts worked in concert and could communicate with one another in a realm of ‘objective imagination’. Jung coined the same phrase independently.

Later in life the materialistic explanations that Freud had been trying to force on to spiritual experiences also sprang back at him, and he became plagued by a sense of what he called the uncanny.  Freud wrote his essay on ‘The Uncanny’ when he was sixty-two. By thinking about what he feared most he was trying to stop it happening.

A few years earlier he had experienced the number sixty-two coming at him insistently – a hat check ticket, a hotel room number, a train seat number. It had seemed to him that the cosmos was trying to tell him something. Perhaps he would die at the age of sixty-two.

In the same essay he described the experience of walking round a maze of streets in an old Italian town and finding himself in the red light district. He took what he thought would be the most direct route out of this district, but soon found himself back in the middle of it. This seemed to happen no matter which direction he took.

The experience can only remind us of Francis Bacon. It was as if a maze were changing shape to keep the wanderer from finding the way out. As a result of these experiences Freud began to suspect that there might be some complicity between his psyche and the cosmos. Or perhaps the cosmos was manufacturing meanings independently of any human agency and, as it were, beaming them at him?

Jonathan Black, The Secret History of the World