Degree of Perfection

The Minor Arcana of the Tarot represent the way of ascent from consciousness belonging to the world of action (the phenomenal world) through the world of formation and the world of creation to the world of emanation. Thus, it is a matter of four degrees (including the summit) of ascent from the world of sensual and intellectual imagery which corresponds to pentacles, to the world (or degree) of destruction of this imagery – or the ‘wilderness’ – which corresponds to swords, so as to attain to that degree of spiritual poverty which is necessary to become a receptacle for revelation from above – which degree corresponds to cups. The summit is attained when the cup of consciousness which receives the revelation from above is transformed – by cooperating with revelatory action – into this latter. It then becomes revelatory activity itself, being actively united with the world of emanation. Then the degree of wands or scepters is attained, ie, that of pure creative activity.

Therefore the way begins in the world of coins or pentacles. This is the world of the imagery of facts, intellectual constructions and imagined ideals. Here consciousness surrounds itself with a world of images – n the one hand the memories of experiences, and on the other hand the formulae and schemes of the intellect, as well as those of moral imagination, which latter we call ‘ideals’. This world of images is neither reality nor illusion. It consists of values/images corresponding to reality and which are therefore ‘convertible’ into reality; for this reason coins are its symbol. For just as pieces of money are not themselves board, heating and lodging but can be converted into board, heating and lodging, so do memory images and the formulae and schemes of the intellect and moral imagination represent realities – being ‘worths’ that may be converted into reality.

Now, the world of coins – the world of images – has a twofold significance. It signifies, on the one hand, the wealth acquired by consciousness, and on the other hand it signifies the totality of that which must be renounced if consciousness wants to come to spiritual reality. Because in order to convert money into real things, ie in order to buy them, one has to pay. One has to become ‘poor in spirit’ in order to have the kingdom of heaven.

This payment, where one divests oneself of one’s wealth of spirit, is that of swords. Here, the values/images (or coins_ that one has struck through intellectual, moral and artistic efforts are destroyed, one after the other, in the same (Sephirothic) order in which they were formed. This can last an instant, an hour, or decades. With St Thomas Aquinas it took the time of a single ecstasy, whilst with Plato it seems that it was a slow process extending over several years. With respect to St Thomas, it was probably at the end of 1273 that he underwent the decisive ecstasy.

The ecstasy that St Thomas underwent persuaded him that all that h had written and taught was of little significance. This is a case of passing through the sphere of swords.

Plato, as did St Thomas Aquinas, arrived at the ‘spiritual poverty’ which is necessary to become a ‘cup’ and ‘sceptre’ (or ‘wand’), ie to become a receptacle for the revelation of Being, and then to become an active cooperator – which means to say ‘initiated’ .

The ‘worlds’ or ‘spheres’ of pentacles (coins), swords, cups and wands correspond to the degrees of the traditional way of preparation, purification, illumination and perfection.

What one acquires through observation, study, reasoning and discipline constitutes the degree of preparation, or the world of coins.

This ‘world’ exposed to the action of the breath of the Real, constitutes the degree of purification, or the world of swords.

That which remains after this trial becomes the virtue or faculty of the soul to receive illumination from above. This is the degree of illumination, or the world of cups.

And, lastly, to the extent that the soul raises itself from receptivity to active cooperation with the Divine, it is admitted to the degree of perfection, or to the world of scepters or wands.

These are the things which can serve as a key to the Minor Arcana of the Tarot, for your work, dear Unknown Friend, on these Arcana.

Adieu, dear Unknown Friend.

Festival of the Holy Trinity, 21 May, 1967

Meditations on the Tarot, Letter XXII, The World

A Twofold Joy

The joy which results from truth and the belief which results from joy – here is the key which opens the door to understanding the Arcanum of the world as a work of art. For it is this Arcanum which will reveal the world to us as a work of divine creative art, ie, the world of Wisdom “who was at work beside him…rejoicing before him always” (Proverbs viii, 30), and it is this Arcanum again which will reveal the world to us as a work of art of deceptive mirage, ie, the world of maya, the great illusion, who plays her game (lila) unceasingly – or, in other words, on the one hand the world which reveals God by manifesting him, and on the other hand the world which hides him by covering him.

But whether it is a matter of a revelatory world or of a deceptive world, whether it is a matter of the world seen in the light of the sphere of the spirit of truth or of the sphere of the spirit of mirage, it is a joy – a twofold joy – which plays the key role here.

What is joy? What is it in its deepest sense?

Meditations on the Tarot, Letter XXII, The World

Memory

Let us consider the domain of forgetting and remembering – the memory.

Memory is magic, in the subjective domain, which effects the evocation of things from the past. It renders past things present. Just as a sorcerer or necromancer evokes the spirits of the dead by making them appear, so does the memory evoke things of the past and make them appear to our inner mental vision.

The present remembrance is the result of the magical operation in the subjective domain, where one has succeeded in evoking from the black void of forgetfulness a living image from the past.

A living image from the past….imprint? symbol? copy? phantom? It is all of these at once. It is an imprint in so far as it makes use f my imagination to represent a reality which goes beyond its imaginary representation; it is a copy in so far as it only aims at reproducing the original from the past; it is a phantom in so far as it is an apparition from the black abyss of forgetfulness and in so far as it recalls to life the past in making it present to my inner vision.

What is the force at work in the subjective magical operation of remembering? There are four types of memory that one experiences: mechanical or automatic memory, logical memory, moral memory and vertical or revelatory memory.

Vertical or revelatory memory is not a memory of the past in the sense of the horizontal line: today, yesterday, the day before, but rather in the sense of the vertical line: here, higher, still higher. It is a ‘memory’ which does not link the present to the past on the plane of physical, psychic and intellectual life, but which links the plane of ordinary consciousness to planes or states of consciousness higher than that of ordinary consciousness to planes or states of consciousness higher than that of ordinary consciousness.

It is the faculty of the lower self to reproduce the experience and knowledge of the higher self or, if you like, the faculty of the higher self to imprint its experience and knowledge upon the consciousness of the lower self. It is the link between the higher eye and the lower eye, which renders us authentically religious and wise, and immune to the assaults of sceptism, materialism and determinism.

It is also this which is the source of certainty, not only of God and the spiritual world with its hierarchical entities but also of the immortality of our being and reincarnation, wherever it is a matter of reincarnation. “Dawn is the friend of the muses” and similar proverbs relate to the benefits of vertical memory form which one benefits in the morning, after the return of consiousness from the plane of “natural ecstasy” or sleep.

Meditations on the Tarot, Unknown Author, Letter XIII, Death

Memory

Beyond the three types of memory – mechanical, logical and moral – there is still the kind of memory that we have designated as “vertical or revelatory memory.”

It is not a memory of the past in the sense of the horizontal line: today, yesterday, the day before, etc, but rather in the sense of the vertical line: here, higher, still higher, etc. It is a “memory” which does not link the present to the past on the plane of physical, psychic and intellectual life, but which links the plane of ordinary consciousness to planes or states of consciousness higher than ordinary consciousness.

It is the faculty of the “lower self” to reproduce the experience and knowledge of the “higher self” or, if you like, the faculty of the “higher self” to imprint its experience and knowledge upon the consciousenss of the “lower self”. It is the link between the “higher eye” and the “lower eye”, which renders us authentically religious and wise, and immune to the assaults of sceptism, materialism and determinism.

It is this also which is the source of certainty not only of God and the spiritual world with its hierarchical entities but also of the immortality of our being and reincarnation, wherever it is a matter of reincarnation. “Dawn is the friend of the muses” and similar popular proverbs, such as “the morning hour has gold in its mouth” or “morning is wiser than the evening”, relate to the benefits of vertical memory from which one benefits in the morning, after the return of consciousness from the plane of “natural ecstasy” or sleep.

Unknown Author, Meditations on the Tarot, Letter XIII, Death