Magic realms of Psyche

‘There’s no answer to his queries,
Dionysus’ brains are weary.
Cares he not for Neptune’s offspring,
Wants he just to hear the girls sing.

‘Watches he the virgins wander –
Through the fire-dance, travel onward,
Filled with wine and honeyed nectar –
Through the magic realms of psyche.

‘There the nymph, sweet Ariadne
Forces him to drown his sorrow,
Charms him nightly with her beauty;
Drinks he like there’s no tomorrow.

‘Groans the wine God: “New man, stop,
And hush the hound, you’ll turn the hops!
Mere immortal, you will end this.
Once for all now, comprehend it:

‘”Here, tonight, the true initiates
Drink new wine. The growing mystery
Share I then, but none could hear it;
Thanks to you, the maids grew teary.

‘As did Phoebus’ wan Priestess,
Voice of heaven, whom truth begets.
Hold your peace now, stand in silence.”
Thus did end the hunter’s license.

Quarternary of Traditional Magic

With respect to the magnificent quarternary of traditional magic: “to dare, to will, to be silent and to know,” it is formulated – mutandis mutatis – by the Master in the following way:

Ask and it will be given you; Seek, and you will find; Knock, and it will be opened to you. For everyone who asks receives, And he who seeks finds, And to him who knocks it will be opened. (Matthew vii, 7-8)

It is a matter of daring to ask, of the will to seek, of being silent in order to knock and of knowing when it is opened to you. For knowledge does not happen automatically; it is what is revealed when the door is opened. This is the formula of the synthesis of effort and grace, of the principle of work and that of receptivity, and, lastly, of merit and gift.

This synthesis enunciates the absolute law of all spiritual progress and, consequently, all spiritual discipline. It is the law which every Christian disciple, of every Christian spiritual school, obeys. And Christian Hermeticism, ie, the whole of traditional mysticism, gnosis, magic and occult philosophy, passed through baptism and transfiguration by the fire, light and life of Christianity, is in no way an exception here.

It should not be forgotten that Christian Hermeticism is not a religion apart, nor a church apart, nor even a science apart….it is the connecting link between mysticism, gnosis and magic, expressed through symbolism – symbolism being the means of expression of the dimensions of depth and height (and therefore of enstasy and ecstasy), of all that is universal (which corresponds to the dimension of breadth), and all that is traditional (corresponding to the dimension of length).

Being Christian, Hermeticism accepts the cross of the universality, the tradition, the depth and the height of Christianity, in the sense of the apostle Paul when he said:

That you, being rooted and grounded in love, may have power to comprehend with all the saints what is the breadth and length and height and depth, and to know the love of Christ which surpasses knowledge, that you may be filled with the fullness of God. (Ephesians iii, 18-19).

This is the complete formula of initiation.

Unknown Author, Meditations on the Tarot, Letter VI The Lover

The Magic Key

The Principles of Truth are Seven; he who knows these, understandingly, possesses the Magic Key before whose touch all the Doors of the Temple fly open.

One of the old Hermetic Masters wrote, long ages ago: “He who grasps the truth of the Mental Nature of the Universe is well advanced on The Path to Mastery.” And these words are as true to-day as at the time they were first written. Without this Master-Key, Mastery is impossible, and the student knocks in vain at the many doors of The Temple.

There are planes beyond our knowing, but when we apply the Principle of Correspondence to them we are able to understand much that would otherwise be unknowable to us…a knowledge of the Principle of correspondence enables Man to reason intelligently from the Known to the Unknown. Studying the monad, he understands the archangel.

Nothing rests; everything moves; everything vibrates. “He who understands the Principle of Vibration, has grasped the sceptre of Power,”

Everything is Dual; everything has poles; everything has its pair of opposites; like and unlike are the same; opposites are identical in nature, but different in degree; extremes meet; all truths are but half-truths; all paradoxes maybe reconciled. Where does “darkness” leave off, and “light” begin? What is the difference between “High and Low”? Between “Positive and Negative”? The Principle of Polarity explains these paradoxes, and no other Principle can supersede it. The “Art of polarization” becomes a phase of “Mental Alchemy” known and practiced by the ancient and modern Hermetic Masters.

Everything flows, out and in; everything has its tides; all things rise and fall; the pendulum-swing manifests in everything; the measure of the swing to the right is the measure of the swing to the left; rhythm compensates. There is always an action and a reaction; an advance and a retreat a rising and a sinking. This is in the affairs of the Universe, suns, worlds, men, animals, mind, energy, and matter. This law is manifest in the creation and destruction of worlds; in the rise and fall of nations; in the life of all things; and finally in the mental states of Man.

There is a Cause for every Effect; an Effect from every Cause. It explains that: “Everything Happens according to Law”; that nothing ever “merely happens”; that there is no such thing as Chance; that while there are various planes of Cause and Effect, the higher dominating the lower planes, still nothing ever entirely escapes the Law.

Gender is in everything; everything has its Masculine and Feminine Principles Gender; manifests on all planes. If you would understand the philosophy of Mental and Spiritual Creation, Generation, and Re-generation, you must understand and study this Hermetic Principle.

The Kybalion

There are Two Wings

There are two: one wing holds him in contact with the divine understanding, and the other with divine memory/inspiration. The two wings are therefore related to the contemplative and creative aspects of God which, in their turn, correspond to the divine image and likeness in man of which Genesis speaks.

The two Angelic wings are the Angel’s links with the eternal sabbath and the eternal creativity of God – or, in other words, with divine gnosis and divine magic. It is by means of the “gnostic” (or “left”) wing that the Angel is in contemplation of divine wisdom, and it is by means of the “magical” (or “right”) wing that he is active in his capacity as messenger or “Angel”.

This is the principle of polarity underlying the duality of the wings. The principle remains valid also for Angels – and for entities from other spiritual hierarchies – who have more than two wings (sixteen, for example). It will be the task of a future science of “Angelology” to grasp the reason or reasons for the plurality of wings of certain Angelic entities.

With respect to us, we have to restrict ourselves to a general explanation of the two wings of Angels, in reminding ourselves that it is a matter here of meditation on the fourteenth Arcanum of the Tarot, whose card represents an entity with two wings.

From tradition we know that there are also human beings endowed with wings….The astral and etheric wings of a human being signify a more-or-less advanced degree of recovery of the divine likeness in him. For certainly it was the lot of men before the original sin to have wings. He lost them subsequently. How are they recovered?

Unknown Author, Meditations on the Tarot, Letter XIV Temperance

The Magic Book

The key turned easily in the lock. Hans entered, half frightened at what he was doing, and the first thing he beheld was a heap of bones.

That was not very cheerful; and he was just going out again when his eye fell on a shelf of books. Here was a good way of passing the time, he thought, for he was fond of reading, and he took one of the books from the shelf. It was all about magic, and told you how you could change yourself into anything in the world you liked.

Could anything be more exciting or more useful? So he put it in his pocket, and ran quickly away out of the mountain by a little door which had been left open.

The Magic Book, The Orange Fairy Book, Andrew Lang

Esoteric Wisdom of Altai

Between 1923 and 1928 Nicholas Roerich went on a series of travels throughout central Asia, accompanied by his son George. In 1926 – the same year that the Nazis sent their first expedition to Tibet – Roerich was also in that country. He spoke with many Lamas and other Tibetan occultists and mystics. They spoke of the imminent arrival of the Maitreya, the Buddhist Messiah, and imparted to Roerich the spiritual meaning of Altai.

It seems that, among other things, the chief mountain of the Altai range was regarded as the dwelling place of the gods. The Bear and Orion were singled out as being constellations associated with the esoteric wisdom of Altai. The seven stars were seen as the seven Wise Ones, and were also associated with the Mongol legend of Gesar, the Mongol Maitreya, despite his being a warrior rather than a sage. And Gesar was always linked in legend with the Tibetan stories of Shambhala.

Beluka, the principal mountain in the Altai range, has also been put forward as the possible origin of the legend of Mount Meru, abode of the gods. And from Tibet, from the Altai range, civilisation gradually began to spread outwards.

Both black and white magic are possible; one can always choose whether to follow the left or the right hand path. But magic in itself is morally neutral. Tibet held within itself both black and white magicians, and it was, of course, those initiates dedicated to the dark powers of evil who helped Hitler and the Nazis. But other powers existed in Tibet as well, and Roerich, among others, made contact with them.

Roerich himself said, in his book The Heart of Asia, that Shambhala was the fountain and crown of all true wisdom. ‘If you wish to understand Asia and to approach her as a welcome guest’, he wrote, ‘you must meet your host with the most sacred word – Shambhala.’ Roerich and his expedition were based in the Himalayas and had extensive contacts with wise men in Tibet. Roerich became a vehicle of transmission of a Mahatma Morya, who taught a system of Agni Yoga, based on the Kundalini power. Roerich states that a Lama passed through an underground passage in order to reach a sacred place. And the borders of the ‘hidden land’ were marked out carefully with occult symbols.

Michael Fitzgerald, Hitler’s Occult War

Key Words

abyss air apollo artemis

beauty blood dawn divine

earth fire future god

gold golden heart heaven

human light love magic

magical

meditations

tarot mind moon mystery

nature power prayer reason

sea secret silver sky

soul spirit spiritual star

sun time truth vision

water wind wisdom world

Isangelos

Isangelos: “equal to the angels” – a magic word for the early Christians. They envied the angels their ability to live continually in the light of full consciousness and not let a single drop of grace go to waste.

Hans Urs von Balthasar, The Grain of Wheat

Le Mystere des Cathedrales

First of all it is necessary for me to say a word about the term gothic as applied to French art, which imposed its rules on all the productions of the Middle Ages and whose influence extends from the twelfth to the fifteenth century.

Some have claimed—wrongly—that it came from the Goths, the ancient Germanic people. Others alleged that the word, suggesting something barbarous, was bestowed in derision on a form of art, whose originality and extreme peculiarity were shocking to the people of the seventeenth and eighteenth centuries. Such is the opinion of the classical school, imbued with the decadent principles of the Renaissance.

But truth, preserved in the speech of the common people, has ensured the continued use of the expression gothic art, in spite of the efforts of the Academy to substitute the term ogival art. There was an obscure reason for this, which should have made our linguists ponder, since they are always on the look-out for the derivation of words.

How does it come about that so few compilers of dictionaries have lighted upon the right one? The simple fact is that the explanation must be sought in the cabalistic origin of the word and not in its literal root. Some discerning and less superficial authors, struck by the similarity between gothic (gothique) and goetic (goetique) have thought that there must be a close connection between gothic art and goetic art, i.e. magic.

For me, gothic art {art gothique) is simply a corruption of the word argotique (cant), which sounds exactly the same. This is in conformity with the phonetic law, which governs the traditional cabala in every language and does not pay any attention to spelling. The cathedral is a work of art goth (gothic art) or of argot, i.e, cant or slang.

Moreover, dictionaries define argot as ‘a language peculiar to all individuals who wish to communicate their thoughts without being understood by outsiders’. Thus it certainly is a spoken cabala. The argotiers, those who use this language, are the hermetic descendants of the argonauts, who manned the ship Argo. They spoke the langue argotique-—our langue verte (‘green language’ or slang)—while they were sailing towards the felicitious shores of Colchos to win the famous Golden Fleece.

People still say about a very intelligent, but rather sly, man: ‘he knows everything, he understands cant.’ All the Initiates expressed themselves in cant; the vagrants of the Court of Miracles—headed by the poet Villon—! as well as the Freemasons of the Middle Ages, ‘members of the lodge of God’, who built the argotique masterpieces, which we still admire today. Those constructional sailors (nautes) also knew the route to the Garden of the Hesperides….

Le Mystere des Cathedrales, Fulcanelli

Maghdim, Magos, Magi

Very ancient Eastern languages used words such as Mog, Megh and Magh to define that which is priestly, wise or excellent. Thence is derived the Chaldean name Maghdim, meaning supreme wisdom or divine philosophy. Thus the Greeks had the Magos (Magician) and Mageia (Magic) and by these terms they denoted higher knowledge of nature, especially with relation to religion and the science of the stars. Magicians were, literally, the Wise, the Magi; Philosophers, Shamen, Witch Doctors, Priests, Scientists, Artists, Initiates.

A discourse on magic need not, therefore, be a code of practice for witches and yet, a belief in magic and/or a pantheistic sort of worship tended to precede a belief in one God for many people. True belief is in fact a magical experience; hope, faith and love are sacred magical processes. it is also fair to say, however, that grave misinterpretation of magical phenomena is possible and it is as well to be aware that all things natural and supernatural have really been brought about through God’s will. To separate the individual, personal power, from that of God would be divisive in essence – an act of darkness – whereas the channelling of the divine spirit through the self is a positive, light-filled action.

There is a woman with a passion for music and nature so deep and abiding that the Shaman has a sacred place in her heart; she knows that so much was, is and will be shown via his highly skilled techniques, mastery of which entails a vivid fascination of tantric dimensions with seemingly boundless proportions. The Shaman is so singular for the direct way in which he helps her access an internal rhythm and fathomless understanding of movement in connection with the eternal muse.  The Shaman may assist her in releasing bound (because dark) energy in a spiritually viable way of light. The Shaman will, therefore, be credited for eternity as a vital psychic instigator of Change.

It would be harmful to repress ancient hereditary impulses of human cultures, which in past times were psychologically dependent upon the performance of magic for various reasons. Magical rites could spring instinctively from an urge to love and be as One with the Universe, as we are all able. Subtle and manifold are the ways of magic.  On the most practical, naïve level, many are they who may unwittingly conduct spells or even sublime acts in conjunction with nature and the source of divine energy. Such things tend not to occur by chance, even in cases where a butterfly effect might be perceived. There is a code and a key behind creation: A mysterious element to the passage of time, a multi-dimensional reality behind space that we can all access if we would only remember how and why it is so.