The Conjunction of Venus

moonThe setting midsummer sun found the witness in a distinctly prayerful posture, shrouded by heady masala incense and calling Earth to witness. Venus had emerged, triumphant as a diamond on her band of gold, heralding the rising moon and guided to the altar by a vast and dominant Jupiter.

Pondering this crystal-clear sky, the witness could see how the dazzling quintessential force of the even-star was polarised by the glowing pharos of Mars, beckoning his paramour as he bequeathed to her the dark and endless night. The imperator of war was in a state of surrender at the temple of beauty.

The witness wondered about the effects of Mars’ conjunction with Venus, Jupiter and Mercury beyond the perfect moon, at that very instant deflecting onto captivated Earth the magnified potential for an alchemical wedding. This compelling planetary event was irresistibly conspiring with the precession of the equinoxes to create the most potent cosmic conditions that had ever been witnessed from Earth – at least since the Star of the Magi heralded the turning point of history.

Or so it seemed.

How can such a sign be ignored? thought the witness.

The answer was that it could not!

That the divine plan might remain unfulfilled was inconceivable, but how, precisely, it was to manifest would remain the Mother of all Mysteries.

The Star of Hermeticism

It was neither the straw of the crib, nor the animals that were present, which guided and enabled the mages from the East to find the Child, but rather the “star” in heaven. Similarly, in Hermeticism one will find only straw and animals if one is not guided by its “star”, which exists only for intuition. Now, it is the nineteenth Arcanum of the Tarot, which invites us to occupy  ourselves quite especially with the “star” of Hermeticism in the heaven of intuition. What is this “star?” The Zohar says:

“And God made the two great lights….originally, when the moon and sun were in intimate union, they shone with equal luminosity. The names JEHOVAH and ELOHIM were then associated as equals…and the two lights were dignified with the same name: MAZPAZ MAZPAZ….The two lights rose simultaneously and were of the same dignity. But….the moon humbled herself by diminishing her light, and renounced her place of higher rank. From that time she has had no light of her own, but derives her light from the sun.

Nevertheless, her real light is greater than that which she radiates here below; for a woman enjoys no honour save in conjunction with her husband. The great light (the sun) has the name JEHOVAH and the lesser light (the moon) has the name ELOHIM, which is the last of the degrees and the close of thought. Originally she was inscribed above among the letters of the sacred name (YHVH), which are four in number; it was only after diminishing herself that she took the name ELOHIM.

But her power is manifest in all directions….EL being “the dominion of the day,” IM” being the “dominion of the night,” and HE in the middle being the remainder of the forces (“the stars”), participating in both dominions.

It is left to us only to cite another passage from an ancient source – from the eleventh book of Apuleius’ Transformations – in order to have all the elements necessary to grapple, sufficiently equipped, with the problem of the “star” of Hermeticism and “The Sun” of the nineteenth Arcanum of the Tarot. Apuleius summarised his great vigil at the temple of Isis – the “arcana of the sacred night” (noctis sacratae arcana) in the following way:

I approached the very gates of death and set one foot on Prosperine’s threshold,  yet was permitted to return, rapt through all the elements. At midnight I saw the sun shining in its brilliant radiance; I entered the presence of the gods of the under-world and the gods of the upper-world,  stood near and worshipped them.

Let us now seek for reality, having in view the above-cited passage from the Zohar and the statement made by Apuleius.

Unknown Author, Meditations on the Tarot, Letter XIX, The Sun

Making Magic

Here on earth, the conduction of magical procedures seems to require something more than natural rhythm alone, flowing constantly and unconsciously. The magician must also be in conjunction with the preternatural rhythm of parallel universes. Sekala, Niskala; seen and unseen.  This tends to happen spontaneously, put into effect when the individual atomic spirit coincides naturally with the universally complete one. When it happens, the process of making of magic can be achieved. I don’t know how often it happens or precisely what the limitations are.

The optimum state for making magic might be an open and receptive frame of mind, together with sharp wits and spontaneous action. Perfect external conditions for might involve traveling at speed through a tunnel of trees with woodland on either side of the road and tree-tops that bend to touch one another, over a distance of about 50 yards, in order to ride the wave of the moment when ‘Day’ becomes ‘Night’. To travel through the eye of the needle of eternity at the speed of light. And this is more than just wishful thinking, friends; for one is sure that by such means did night arise from day on at least two occasions! The truth is there for all to see and the facts are clear: Day becomes night and night becomes day.

A strong musical element would, I imagine, contribute to the beauty of the moment, carrying invocations through the realm where power could bring forth a desired result. (It could be said that music has been, is, and will once more be, an extremely sympathetic catalyst for the performance of magic. Much that is truly magical might remain unfinished but for the vivifying effect of sacred music.

Location may also have a bearing on the efficacy of magical conduct. It is well known that certain places are considered ‘special’, because of their inherent natural or supernatural properties or special connotations. Some places have particular meaning only to individuals, because they contain strong memories or associations, while are others are special in their own right. These may be places of great natural beauty or with prominent natural features that combine to create a potent atmosphere.

The right blend of atmosphere can arouse strong feelings or impressions in living things. Traveling along ley lines may also increase one’s chances of being the magician. In one known case at least, spinning was the key. The means by which one traveled on one occasion through the gateway of perception, the infinite hair’s breadth between Earth and Heaven.

Universal Time Piece

Clock by Wolfgang Glock
Clock by Wolfgang Glock

With the roll steady I faced the window, through which both the moon and Venus could be seen shining on that particular night, in conjunction. I clearly remember seeing them and can picture them now, because they were spectacularly close together. Standing between them I stood stock still.

Apart from my right arm, that is, which was busy from the elbow out, apparently winding something up that was seriously heavy. Perhaps the actual universal time piece. The movement had been clockwise.

I had always assumed that the world turned in 3 ways simultaneously, so in an attempt to get the third way right I turned in the opposite direction and started to make a slow elliptical movement with my hips, in a position facing the guitar case belonging to my boyfriend, that was propped against the wall.

For some reason this provoked an undeniable sense of danger which I tried in vain to place.

After a few seconds I was disturbed to realize that I had been unconsciously yet meditatively staring into the small silver clasps at the bottom of the case. These threw off a distinct enough reflection of myself to warrant a hasty turnaround.

At this point I struck the first of two strong convictions that I happened upon that night; namely: that I must at all costs avoid the sight of my own reflection whilst in that particular (alternative) state of consciousness. The second was about not being trapped in time.

After a few more disturbed gyrations, my actions somehow arrested by having thought too hard, I fell light-heartedly onto the bed and closed my eyes, feeling wonderfully satisfied with my spinning achievement.

Precession of the Equinoxes

Alex Monroe
Alex Monroe

Descending twilight saw the Master sitting on the floor facing East in a distinctly prayerful posture, calling the Earth to witness. By the time the sun had set and Venus rose like a diamond on its band of gold, each cardinal direction and each of the elements had been called upon in turn.

Flame, Air, Water, Earth, Reflection; Starlight is the love inflection.

Looking up at the sky, the Master saw how the quintessential force was thrown into relief by the glowing pharos of Mars, silently beckoning his paramour as he bequeathed to her the dark and endless night.

The god of war was preparing his surrender at the temple of beauty, but he also had a message for the Master and this was the key to understanding other things:

Here in orbit turn the star-lings – planets binding, suns inclining – in such ways that whole dimensions fold inside the vaults of Heaven.

Mars was in perfect conjunction with Venus and the half moon, signaling the return of The Lovers to Earth.

Not only this, but the equinoxes were on the verge of their precession; together they gave rise to the most potent cosmic conditions that had been witnessed from Earth since the Star of the Magi heralded the turning point of history.

That the cosmic design might remain undefined was inconceivable, but how, precisely, it manifest was a mystery beyond even this:

“Meek”, He said, “the World is Thine,

This the reason: Just, Divine.

Bless these words, inform the start.

Energy, Created Art.”