Jul 302011

“I do not remember if I spoke to him first”, says the great Initiate, “or if he was the one who questioned me; but I have a very fresh memory, as if I were still hearing hem, of how he talked to me for three long hours in a language which I know I had never heard and which bears no relationship with any language of this world, but which I understand more quickly and more intelligibly than that of my wet nurse.

He explained to me, when I inquired about such a marvelous thing, that in sciences there was a truth, beyond which we always found ourselves away from simplicity, and that the more an idiom strayed from this truth the more it went below our conception and became more difficult to understand.

Similarly”, he continued, “in music this truth is never encountered without our soul, immediately elevated, blindly going for it. We don’t see it but we sense that Nature sees it; without being able to understand how it absorbs us, it cannot but delight us, although we cannot know where it is.

And it is the same thing with languages. Whoever encounters this truth of letters, of words, and of continuity can never, while expressing himself, fall below conception: his speech is always equal to his thoughts; and because you do not have knowledge of this perfect language, you do not know what to say, not knowing the order or the words which could express what you imagine”.

I told him that the first man of our world indubitably used this language, since each name that he imposed on each thing declared its essence. He interrupted me and continued: “This language is not simply necessary to express everything that the mind conceives, but without it we cannot be understood by all. Since this idiom is the instinct or the voice of
Nature, it must be understandable by everything that lives in the midst of Nature.

This is why, if you knew it, you could communicate and disclose all your thoughts to animals, and animals to you all of theirs, because it is the very language of Nature by which
she makes herself understood by all animals. Therefore be no longer surprised by the ease with which you understand the meaning of a language which your ears have never heard.

When I speak, your soul encounters, with each one of my words, the Truth that is gropingly looking for; and although its reason does not understand it, it has within it a nature which cannot but understand it”.

However, this secret, universal, indefinite language, in spite of the importance and the truth of its expression, is in reality of Greek origin and genius, as our author teaches us in
his History of the Birds. He has some very old oak trees speak— an allusion to the language which the Druids used in this manner:

“Think of the oak trees which we feel you are looking at: it is we who are speaking to you, and if you are astonished that we speak the language used in the world whence you come, know that our first fathers are natives of it. They lived in Epire, in the forest of Dodona, where their natural goodness moved them to give oracles to the afflicted people who consulted them. For this purpose, they had learned the Greek language, the most universal then in existence, so as to be understood”

Fulcanelli, Dwellings of the Philosophers

Apr 172011

Imagination is actually as the eye of the soul, and it is therein that forms are delineated and preserved; by its means we behold the reflections of the indivisible world; it is the mirror of visions and the apparatus of magical life. Thereby we cure diseases, modify the seasons, ward off death from the living and resuscitate those who are dead, because this faculty exalts the will and gives it power over the universal agent.

Imagination is the instrument of the adaptation of the Logos. In its application to reason it is genius, for reason, like genius, is one amidst the complexity of operations. Demons, souls, and the rest, can therefore by really and truly beheld by means of the imagination; but the imagination of the adept is diaphonous, whilst that of the uninitiated is opaque. The light of truth traverses the one as through a crystal window, and is refracted in the other as in a vitreous mass full of scoriae and foreign matter.

The things which contribute most to the errors of the vulgar and the extravagances of the insane are the reflection of depraved imaginations in one another. But the seer knows with an absolute knowledge that the things he imagines are true and experience invariably confirms his visions.

Eliphas Levi, The Mysteries of Magic